sabertooth cavity releases "en lak ech"

for christopher clark 

reposted from alibi 

V.20 No.6 | February 10 - 16, 2011
This Week's Music

Sabertooth Cavity

New Mexico band releases noise freak-out En Lak Ech

By Samara Alpern

Don’t limit it by calling it music, man. Jazz derangements, electronic debris and heaving melts of guitar are just part of it. What Sabertooth Cavity offers up with its first album, En Lak Ech, is a little more meta. Or a little more Dada. However you want to take it.

En Lak Ech album art

“It’s not just music,” says multimedia artist and Sabertooth guitarist Mat Galindo. “It’s art.”
Sheathed in silk-screened burlap, the album is being released on Saturday, Feb. 12, at the Small Engine, an art space Galindo co-owns.

You can think of Sabertooth Cavity’s work as a reflection of the cities it comes from. “It’s about a whole environment,” says Jef Cameron, who plays flute and saxophone. “How it looks, how it smells. ... It’s about the chaos of Albuquerque.”

It’s also a little bit about Carlsbad, where most of the band grew up. Sabertooth didn’t get together until 2006 when Jef Cameron, Mat Galindo, his cousin Henry Galindo (guitar and vocals) and Rene Aguilera (bass) connected in Albuquerque. Kris Kerby, who plays drums and joined the band in 2007, is from southern New Mexico town of Loving (and he’s got love for Loving—the town’s name is tattooed, thug-life style, across his belly).

As heterodox as Sabertooth Cavity is, the band is pure homegrown New Mexico, both in what they produce and who they are.

“The local scene is rife with influences for us,” Mat Galindo says. “It’s more [about] local people producing, the creative community doing it for themselves. “

Among the local influences is the godfather of New Mexico experimental, Raven Chacon (Tenderizor, Death Convention Singers, Black Guys). He’s also a co-owner of Small Engine, and he’s co-releasing En Lak Ech on his own label, Sicksicksick Distro.

“Raven talks about how music from here is sparse, like the desert,” Cameron says. “That’s definitely true in some of our music.”

And the experimental wave has its influence as well.

“There are no rules,” says Henry Galindo, whose surrealistic vocals add melody and sometimes a little abstract poetry, but rarely anything like straight verse.

“We admire anyone out there who is experimenting with new things, opening new doors, creating something completely original and entertaining,” Kerby says.

And, of course, Mat Galindo will barely grant that what Sabertooth Cavity does is music. “It’s our own type of language,” he says.

kerby's drum goes to heaven

 

on monday, november 15th, at 9pm, kerby of sabertooth cavity and tenderizor sent his snare drum to heaven in a fiery blaze.  the pyre was held at the drummer's home in albuquerque, new mexico.  in attendance were a few friends watching sexy music videos on youtube. 

kerby and the drum were first united six years ago.  "i found her while browsing through music world in hobbs (new mexico) and knew i had to have her," says kerby.  over the years, the two played with a variety of notable artists, including see you next tuesday, heavyheavylowlow, arsonists get all the girls, and the jonbenet.  

kerby and his drum shared many wild adventures.  recalls kerby, "i remember driving drunk and it fell out of the back of my truck in loving, new mexico, and i didn't even realize it till the next day.  i went back searching for about an hour and found her laying in a ditch."  

after a respected musical career, the snare drum enjoyed a happy retirement as a pot for a jalapeño plant in the backyard.

rest in peace, little tambor from hobbs. ashes to ashes, dust to dust, amen.  

tenderizor  http://www.myspace.com/tenderizor

sabertooth cavity  http://www.myspace.com/sabertoothcavity

albuquerque, nm