Saturday, September 11, 2010
Tuesday, September 7, 2010
74 260z
the 260z was only sold in the u.s. for one year, 1974. it's the predecessor of my new car, a nissan 350z.
1974 datsun 260z
albuquerque, nm
Labels:
albuquerque,
cars,
datsun,
new mexico,
rides,
z cars
Monday, September 6, 2010
more from the old black market goods
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| jelo, tim myers |
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| tim myers |
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| nos one |
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| nos one |
@ former location of black market goods
112 morningside ne
albuquerque, nm
Friday, September 3, 2010
78 camaro
Thursday, September 2, 2010
Tuesday, August 31, 2010
Monday, August 30, 2010
it wasn't the dream of golden cities
“It Wasn’t the Dream of Golden Cities” by Postcommodity
reposted from The End of Being
Blood is leaking from the mouth of a dead mule deer. The arts collective Postcommodity calls this Indian Time.
In Santa Fe, it’s Indian Market, and it’s also the 400th anniversary of the city’s settlement by the Spanish. Right now, Santa Fe is doubled in size as older, tanned tourists in shorts and couture cowboy hats throng the mazes of Native American vendors selling pottery, silver, and turquoise. This year’s arts fair is expected to draw 80,000 visitors and generate $100 million in sales.
reposted from The End of Being
Blood is leaking from the mouth of a dead mule deer. The arts collective Postcommodity calls this Indian Time.
![]() |
| P’oe iwe navi ûnp’oe dînmuu (My Blood is in the Water) |
In Santa Fe, it’s Indian Market, and it’s also the 400th anniversary of the city’s settlement by the Spanish. Right now, Santa Fe is doubled in size as older, tanned tourists in shorts and couture cowboy hats throng the mazes of Native American vendors selling pottery, silver, and turquoise. This year’s arts fair is expected to draw 80,000 visitors and generate $100 million in sales.
Meanwhile, behind the high walls of the IAIA Museum of Contemporary Native Arts courtyard, the deer carcass dangles by its hind legs from a high, rough-hewn, four post tower. The structure marks the time with blood that wells at the tip of the deer’s tongue and falls, in steady intervals, onto a drum. The echo of each drop is enhanced into stereo thunder.
“It’s important that the materials are from the spot and that the instrument can sound like what it is,” says Postcommodity artist Raven Chacon (Navajo), a composer and experimental noise musician in Albuquerque, New Mexico. “We use it to find meaning in the history of the spot it’s directly over.”
Sunday, August 29, 2010
1680 a totally rad revolution
at indian market, outside the iaia museum courtyard
santa fe, nm
the pueblo revolted against the spanish in 1680
sorry, my camera isn't that great
Saturday, August 28, 2010
Tuesday, August 24, 2010
75 pontiac grand ville
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